During my six days at Cuyahoga Valley National Park I hiked about 18 miles. Getting away helps me put aside all the “baggage” of my hometown so I can focus more on my surroundings. How we
photograph is strongly influenced by our personal histories and current states of mind, as well as the settings in which we find ourselves.
This series is one that I don’t normally shoot. But recently I’ve been influenced by a fellow photographer who shoots this way, though her work is far better. But,
temporarily released from the “bonds” of my history, I gave it a shot, several in fact. Also different, I took the first image with my Tokina 11 – 16mm lens, and the remainders with my Canon 100 – 400mm lens, instead of my usual Canon 15 – 85mm lens–I might as well be completely different.
I’m pleased to announce that a second printing of my photo book, Exploring Maine’s Coast: Belfast to Wells, will be available through Sherman’s Books & Stationery’s six stores in Maine. This printing includes the respective area map on the separator page introducing each of the book’s sections.
It should be on shelves shortly after Labor Day, as well as through my online bookstore.
The photo, above, shows a tundra in its natural state. Although Inuit hunt and trap on these lands, there are no worn footpaths, other than those made by musk oxen and caribou. Yet, even these northern lands are changing due to global warming and the mining of natural resources. As the permafrost begins to melt, methane gas is release from the soil, adding to ever more global warming, threatening our planet.
We are nearly to the point where the only areas in the world not yet vulnerable to “development” lie in the national and state parks. We see the results of development in East Africa. The current issue of Black & White Photography has an article about Nick Brandt, an internationally known photographer who has photographed wildlife in East Africa over the past twenty-five years. His images of the animals are dramatic; his photographs of their former landscapes show how humans have destroyed both their beauty and their ecological value. His latest exhibition, Inherit the Dust, is now on display at Stockholm’s Fotografiska.
These photographs show life-size images of the animals on giant posters set up within the scene of the degraded landscape they once roamed. These photographs are giant panoramas composed of several photographs, all done with film.
This exhibition, along with the work of countless wildlife and landscape photographers around the world, begs the question, how long can we continue to develop land before the environment collapses? Taken from an ecological point of view, we humans are an invasive species, ultimately contributing to our own demise. Dinosaurs lived for two hundred million years–it took a giant meteor strike to wipe them out. Our earliest ancestors only go back about 200,000 years, how much longer can we last?
I’m delighted to say that my book, Exploring Maine’s Coast, has been selected for the Monroe County Library’s Self-published Book Festival to be held at the main library in downtown Rochester on November 7 (11:30 – 4:30) and 8 (1:30 – 4:30). Only one out of three submissions were accepted into the festival so you should see some pretty good indie works. Stop by my table and I’ll answer any “behind the scenes” questions you might have. You can preview the book by clicking on the Blurb icon located on the left sidebar. I’ll have several copies with me that will be available at the festival price of $69.99 (regularly $81.53 though Blurb.com). For more information on this event Click here. Hope to see you, there!
I spent a week on the Cape at the end of March. I had planned on an early February trip, but we had more winter than most of us could handle. The weather cooperated during my stay, raining only on my last full day. During that week I had sunny days with partial clouds, and two days with high overcast—all providing ideal lighting for the appropriate subjects photographed.
The Cape formed about 15,000 years ago as a result of several cycles of glacial advance and recession. Geologically speaking, it is a moraine built of sand and some rock, the highest portions of which are “Up-Cape” along the Mid-Cape highway (Route 6). Like its cousin in North Carolina (the Outer Banks), the Cape constantly shifts as storms erode the coast line (occasionally putting some sand back). All the lighthouses on the Cape were moved back from the shore at least once, due to erosion. This past winter has seen a lot of beach erosion, with some areas of the National Seashore beaches fenced off from the parking lots above, due to instability. In perhaps as little as a thousand years the Cape might be gone.
I decided to shoot a bit differently than I did on the Maine trip last year. In addition to land and seascapes I also photographed items on the beach. I also processed some of these photos with more contrast that I typically use, and in some of the sand shots added a more granular look. Four of these photos won high marks in last month’s Camera Rochester’s juried competition.
The first of these is shown on the left (click on the photos for a full screen view). This is the Stage Harbor Light, which is now privately owned. You’ll notice that the Fresnel lens (i.e., the light) was removed. I walked 360º around the house, photographing as I went. I decided that this was the best shot. This was one of those days with high overcast that gave me soft light, as well as a good background for my subject. I took this photograph, handheld, with my Fuji X100S.
As I walked back toward Harding Beach and my car I came across the
remains of a fence built long ago. Initially passing it, I went back and looked at it more closely. Ah, this could be a fine art shot, something I don’t normally do. As photographers, and any artist for that matter, we are urged to come out of our comfort zone and try something new. In fact, this is the sort of thing I tended to do when I photographed during my teen years. I photographed from a few angles, then set my lens to f/2 to minimize depth of field so that only the front post was in focus. That was a hit, also!
The weather was forecast to be clear the next day, so I got up at 4:00 AM and headed for Chatham’s South beach. It’s several miles long, extending toward the Monomoy Island Preserve. It was only 30° and I was backpacking most of my equipment since I wasn’t sure what I would need. Wearing my headlamp, I trudged through the sand looking for a good location for pre-dawn shots. I finally found a good spot and took a series of photos to create the following panorama with my Canon 7D DSLR..
As dawn broke, I saw what looked to be an outhouse, or what ever. Its wood looked to
be relatively new. In fact, the whole thing looked liked it was a prop. So I figured, go for it. I photographed from a few angles, this time on a tripod, and since the light was rapidly changing I continued to photograph until the light lost its warm glow about twenty minutes later. I gave it a bit of a surreal look in post-processing. Here it is, shown to the left. I call it Under Deconstruction.
Toward the end of the week I headed to Provincetown. Actually, I
didn’t really go to P-town, I went to the Province Lands at the northern end of the National Seashore, just prior to P-town. There, things were in disarray. Winter storms blew sand into the roads and parking lots. This will all be plowed and cleared by loaders before the summer season gets started. Fortunately, I was able to drive against a one-way road to get to a
small open part of paved parking. The Park Rangers didn’t seem to mind. Needless to say, I didn’t park by this sign on the right.
I walked down to the beach then up to the dunes and found this shot of snow (sand?) fences holding sand back from a walkway. I took a few shots, and yes, over processed a bit to give the photo a bit of an austere look.
Well, that was my trip. you can find a few more of my photographs at my on-line gallery, Cape Cod. Any thoughts? Do let me know.